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Wednesday, May 31 • 9:00am - 9:30am
(Objects) Carbon fiber fabric and its potential for use in objects conservation

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Carbon fiber fabric is a high-performance woven cloth made from carbon filament that is widely known for its applications in the aerospace, auto, marine, and sporting equipment industries. While high-strength carbon fibers became commercially available in the 1960s and more broadly obtainable for consumer use in the 1990s, we have yet to see this versatile material reach its full potential within the field of Objects Conservation. Carbon fiber fabric is designed be used in concert with a resin system to create rigid parts that have a modulus of elasticity comparable to steel. These polymer-reinforced carbon composites are fabricated from layers of carbon fiber cloth laminated together with epoxy. One notable benefit to the conservator is that while laying up the fabric and resin, the material can be made to conform to almost any shape. The cured composite can be quite thin and is as strong as steel but a fraction of the weight. Carbon fiber composites are ideally suited to applications where strength, stiffness, lower weight, and outstanding fatigue characteristics are critical requirements, making them particularly well-suited for fabricating object supports and mounts. This presentation will introduce carbon fiber fabric as a strong, lightweight material that has the potential to replace steel or brass in many conservation mounting applications, and will explore ways that carbon fiber fabric has been used in the Objects Conservation Department at The Metropolitan Museum of Art. The talk will include an overview of the material's history and manufacture as well as provide ideas on how conservators can utilize this versatile material. Details on how to choose materials and methods for working with the material will be featured.

avatar for Carolyn Riccardelli, [Fellow]

Carolyn Riccardelli, [Fellow]

Conservator, The Metropolitan Museum of Art
Carolyn Riccardelli is a conservator in the Objects Conservation Department at The Metropolitan Museum of Art where she is responsible for structural issues related to large-scale objects. From 2005-2014 her primary project was Tullio Lombardo’s 'Adam' for which she was the principal member of team of conservators and scientists conducting research on adhesives and pinning materials, as well as developing innovative methods for reassembling the damaged sculpture. Committed to the educational development of conservators-in-training, Carolyn is one of the coordinators of an active graduate internship program in Objects Conservation at The Met. She is a frequent lecturer at the NYU Conservation Center, WUDPAC, and Buffalo, speaking about adhesives and pinning techniques for marble, and ceramics conservation. Carolyn has worked in Turkey at the Archaeological Expedition at Sardis (Harvard/Cornell), and more recently at the... Read More →

Wednesday May 31, 2017 9:00am - 9:30am
Crystal Ballroom B Lobby Level, West Tower

Attendees (205)