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avatar for Pamela Hatchfield

Pamela Hatchfield

Museum of Fine Arts, Boston
Conservator
Boston, MA
Pamela Hatchfield is the Robert P. and Carol T. Henderson Head of Objects Conservation at the Museum of Fine Arts, Boston. She received her Master’s degree in Art History and Certificate in Conservation from the Institute of Fine Arts at New York University, with an advanced level internship at the Harvard University Art Museums. She has volunteered and worked in conservation at the Metropolitan Museum of Art, the Harvard University Art Museums, the Smithsonian’s National Museum of Natural History, the Cooper-Hewitt Museum, the National Museum of the American Indian, and the Grenada National Museum in the West Indies. She has also served as site conservator on several expeditions in Egypt. She was a founding contributor to CAMEO, the Conservation and Art Materials Database, and participated in Heritage Preservation’s Save Outdoor Sculpture! Pilot Project. Pam has served as grant reviewer for the IMLS, NEA, Kress, Getty Conservation Institute and FAIC. She is presently a conservation consultant to Villa La Pietra, NYU, Florence, and in 2006-7, was awarded the Booth Family Rome Prize in Conservation and Historic Preservation to examine the conservation of contemporary art installed within historic structures. Pam is a Fellow of the AIC and the IIC, and has served AIC as Chair and Program Chair of the Objects Specialty Group, 1990-1992; Board Director for Public Information 1992-1995; Publications Committee 1999-2004 (Chair 2003-2004); Appeals Committee 2004-present (Chair 2007-present).
Monday, May 29
 

1:00pm

3:30pm

5:30pm

 
Tuesday, May 30
 

8:15am

10:30am

12:05pm

2:00pm

2:30pm

3:00pm

3:15pm

4:00pm

4:30pm

5:00pm

5:30pm

 
Wednesday, May 31
 

7:30am

8:30am

8:45am

9:00am

9:30am

10:30am

11:00am

11:30am

1:00pm

2:30pm

2:55pm

3:30pm

004. (Book and Paper) Local cleaning of stained artworks on paper: the new possibilities of rigid gels Riverside West Exhibit HallSophie Barbisan • Catherine Maynor • Anne-Laurence Dupont 018. (Objects) Development of a User-Driven Adhesives Database Riverside West Exhibit HallShaina Palmer • Andrea KI Hall • Robert Leheny • Molly McGath • Dr. Patricia McGuiggan • Sara Zaccaron 019. (Objects) Polishing Methods and Their Impact on Results in the Oddy Test Riverside West Exhibit HallChloe Cao • Andrea KI Hall • Molly McGath • Dr. Patricia McGuiggan 022. (Book and Paper) Captain America Encounters Klucel M® Riverside West Exhibit HallMichiko Adachi • Cathie Magee 037. (Objects) Mending Baskets: Revisiting older approaches with new techniques and inventing better solutions Riverside West Exhibit HallLeah Bright • Betsy Burr • Skyler Jenkins • Dr. Nancy Odegaard • Nicole L Peters • Marilen Pool • Gina Marie Watkinson 038. (Objects) Guns and Ships: Using Dry Ice Blasting in the Conservation of Cast Iron Riverside West Exhibit HallWilliam Hoffman • Laurie King 039. (Objects) What makes the white in white-on-red ware? A study of two white-on-red Etruscan pithoi. Riverside West Exhibit HallSara Levin • Lynn Lee • Jeffrey Maish 040. (Objects) Investigation of Gold Residues on Glazed Renaissance Sculpture: Gilding the Virtues Riverside West Exhibit HallAbigail Hykin • Catherine Mallinckrodt 046. (Objects) Reconstructed, Re-cut, and Re-interpreted: Dionysos and Maenad at the Museum of Fine Arts, Boston Riverside West Exhibit HallGerri Strickler, [PA] 047. (Objects) Case Study of Regalrez 1126 Used as an Adhesive and Consolidant in the Conservation Treatment of an 18th Century Chinese Amber Cup at The Metropolitan Museum of Art Riverside West Exhibit HallTong Tong 057. (Research and Technical Studies) Improvements in 2D x-radiography and volumetric x-ray tomosynthesis Riverside West Exhibit HallDr. Dan Boye 064. (Paintings) The Evolution of a Method: Optimizing the Use of Evolon® CR to Poultice Varnish on a Large Scale Riverside West Exhibit HallKari Rayner 074. (Paintings) The development and testing of Gel Cleaning Systems for Cleaning Inorganic Supports in Argentina, Curazao and the Dominican Republic. Riverside West Exhibit HallViviana Dominguez • Ruahidy Lombert • Giselle Canosa 076. (Health and Safety) Replacement of toxic solvents: a practical approach for art conservation studios Riverside West Exhibit HallLuciana Murcia 084. (Paintings) Lifting the Microfiber Veil: Utilizing Evolon fabric at the Mauritshuis to remove aged varnish from Hendrick Heerschop's A Visit to the Doctor Riverside West Exhibit HallJulie Ribits

4:05pm

4:30pm

4:55pm

9:00pm

 
Thursday, June 1
 

7:30am

10:00am

10:30am

11:00am

11:30am

12:00pm

2:00pm

2:30pm

3:00pm

3:30pm

 
Friday, June 2
 

9:00am