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WP

Wendy Partridge, [Fellow]

Intermuseum Conservation Association
Paintings Conservator
Cleveland, OH
Wendy Partridge is a Paintings Conservator at ICA Art Conservation in Cleveland. She has a graduate degree in Paintings Conservation with an M.A. in art history from the Conservation Center, Institute of Fine Arts, NYU. Prior to working for the ICA, she had internships and fellowships at the National Gallery, Washington, the J. Paul Getty Museum, and the Los Angeles County Museum of Art. She is a professional associate of the American Institute for Conservation (AIC) and served for two years as chair of the AIC Paintings Specialty Group.
Sunday, May 28
 

2:15pm

 
Monday, May 29
 

8:30am

1:00pm

3:30pm

5:30pm

 
Tuesday, May 30
 

9:00am

9:30am

11:15am

11:40am

2:00pm

2:30pm

3:00pm

4:00pm

4:30pm

5:00pm

5:30pm

6:30pm

 
Wednesday, May 31
 

8:30am

9:00am

9:30am

10:30am

11:30am

12:15pm

2:05pm

2:30pm

2:55pm

3:30pm

033. (Collection Care) Fatal Attraction: Trials and Tribulations in Toning Rare Earth Magnets Riverside West Exhibit HallMorgan Blei Carbone 044. (Objects) Applying Fills to Losses in a Flexible Polyurethane Foam Chair at the Museum of Modern Art Riverside West Exhibit HallAlexandra Nichols 047. (Objects) Case Study of Regalrez 1126 Used as an Adhesive and Consolidant in the Conservation Treatment of an 18th Century Chinese Amber Cup at The Metropolitan Museum of Art Riverside West Exhibit HallTong Tong 049. (Paintings) 'Rutabaga: In: The Sky' – Creative Solutions to Modern Treatment Problems Riverside West Exhibit HallStephanie Barnes • Craig Huzway • Antje Neumann • Jia-sun Tsang 050. (Objects) The Sharp End of Conservation: Reintroducing Paint to a Mid-Nineteenth Century American Stained-Glass Window Riverside West Exhibit HallAmanda Chau • Drew Anderson 051. (Paintings) Five van Goghs Riverside West Exhibit HallThomas Heller 052. (Paintings) Alternative methodology for traditional interventions: Loose lining in colonial paintings Riverside West Exhibit HallDamasia Gallegos • Ana Morales • Dolores González Pondal 054. (Research and Technical Studies) Blue Period? : Analysis muddies Tintoretto attribution and working practice Riverside West Exhibit HallDr. Amanda J. Norbutus • Lourdes Nunez 056. (Book and Paper) From Scroll to Panel and Back Again: Changing Formats and the Challenges They Pose When Remounting Asian Paintings. Riverside West Exhibit HallSara Ribbans 071. (Textiles) What happened to them? Preliminary approaches from conservation discipline in cases of human rights violations during the military dictatorship in Chile. Riverside West Exhibit HallDaniela Bracchitta • Iván Cáceres • Kenneth Jensen • María José Manneschi • Roxana Seguel 074. (Paintings) The development and testing of Gel Cleaning Systems for Cleaning Inorganic Supports in Argentina, Curazao and the Dominican Republic. Riverside West Exhibit HallViviana Dominguez • Ruahidy Lombert • Giselle Canosa 080. (Objects) Bedbugs: A Pesky Problem Riverside West Exhibit HallMeredith Wilcox-Levine 082. (Sustainability) Environmental Preservation Practices to Avoid Riverside West Exhibit HallWilliam P. Lull 084. (Paintings) Lifting the Microfiber Veil: Utilizing Evolon fabric at the Mauritshuis to remove aged varnish from Hendrick Heerschop's A Visit to the Doctor Riverside West Exhibit HallJulie Ribits 085. (Paintings) Future prospects of conservation treatments with a micro-aspirator tool Riverside West Exhibit HallFriederike Steckling • Markus Gross • Dr. Nadim C. Scherrer • Dr. Stefan Zumbühl 098. (Paintings) Performance evaluation of UV inhibiting acrylic resin coated glass with modern and historic glazing systems Riverside West Exhibit HallAndrew Fearon • Janelle Elyse Sahutski

4:05pm

4:30pm

4:55pm

6:30pm

 
Thursday, June 1
 

7:30am

10:00am

10:30am

11:00am

11:30am

2:00pm

2:30pm

3:00pm

3:30pm

4:00pm

5:00pm